اعتراف مهاجرانی و ساز قمصری

"I asked for their numbers and called them myself." — That's the government spokesperson admitting it, not an opposition analyst. Fatemeh Mohajerani has now confessed that during the war days she personally phoned artists one by one and "requested help." Which means those viral scenes were not spontaneous — they were coordinated. And that includes the story behind Ali Ghamsari playing his instrument, and the staged "natural sleep" with Camus' The Rebel resting on his face. Here's the sting: ordinary people — the ones mocked for offering "taxi-driver analysis" — called it from day one. They said they didn't trust the act, that it reeked of regime coordination designed to prevent collapse. They were right. Today the audio proof came from the regime's own mouth. Art commissioned to protect a government isn't art. It's an instrument. Save this and send it to everyone who told you that you were "too cynical." منبع / Source: https://youtu.be/4ZGZe_WWfyY?t=747#فاطمه_مهاجرانی #علی_قمصری #جاویدشاه #اعتراف #پروپاگاندا #هنرمند_حکومتی #ایران #IranProtests #MahsaAmini #RegimePropaganda #Iran #زن_زندگی_آزادی #دماوند #سخنگوی_دولت #افشاگری #WomenLifeFreedom #IranNews #StateMedia #PropagandaExposed #بی_اعتمادی_ملی #انسان_طاغی #AlbertCamus #IranianArtists #تحلیل_سیاسی #Ghamsari